Jackie Gleason Was Already a Television Comic Superstar from His Work in The Honeymooners When He Took His Career in an Unexpected Direction with the Release of His 1952 10” Album Music for Lovers Only
The Record Became a Huge Smash, Instantly Creating the “Mood Music” Genre of Easy Listening
Set the Still-Standing Record for Most Weeks in the Top Ten at 153
Music for Lovers Only Hit the Charts Again When It Was Released as a 12” LP in 1955
The Original 10” Included Only Eight Tracks, but Capitol’s First 12” Issue of the Album Added Eight More for a Total of 16
The Album Was Subsequently Reissued on LP in Stereo in 1958 with 12 Tracks
The Initial, Long Out of Print Release of Music for Lovers Only on CD Only Included the Eight Tracks from the Original 10”
This CD Release Features the Full-Length 16-Track Mono Album
Remastered by Maria Triana at Battery Studios in New York
Complete, Original, Iconic Artwork
The Go-To Make-Out Record for a Generation
AVAILABLE March 10, 2017 PRE-ORDER COMING SOON
Jackie Gleason: Music for Lovers Only CD
JACKIE GLEASON: Music for Lovers Only. CD
Probably the most popular, iconic mood music album ever made, Jackie Gleason’s Music for Lovers Only set the stage for untold imitators to come with its evocative album artwork and lush, sweeping soundscapes. Released as a 10” LP in 1952, it set the record—which still stands!—for most weeks in the Top Ten Album charts at 153, and hit the charts yet again in 1955 when it was released as a 12” LP. But here is where the history of Music for Lovers Only becomes, like most romances, complicated. The original 10” included only eight tracks, but Capitol’s first 12” issue of the album added eight more for a total of 16; subsequently, however, the album was reissued on LP with 12 tracks, and the out-of-print sole CD release of Music for Lovers Only featured just the eight tracks from the original 10” release.
Now, for the first time ever on CD, Real Gone Music is restoring this classic album to its full, 16-track length, with its glorious, original artwork intact—another first!—and in its original mono. As for those wondering what musical contribution Mr. Gleason made to the album, some say Gleason conceived of melodies in his head and described them vocally to his assistants. But when Bobby Hackett, whose wistful trumpet lines were the focal point of the Gleason sound and of this album, was asked what Jackie contributed to the recordings, he replied: “He brought the checks.” Either way, Music for Lovers Only stands as The Great One’s greatest musical achievement.